In Keepsake, Bowen continues the story of the Shipley farm, moving us back there full-time. This time it’s Zachariah’s story. Zach grew up in a polygamous cult and got kicked out for a small transgression (mostly because he was a young man, when the old men wanted the girls all for themselves). Zach’s been working at the Shipley farm for a while and he’s beginning to feel that his time there is coming to a close. Not because he wants it to be, but because he thinks they need it to be.
But Keepsake is also Lark’s story. She’s one of May Shipley’s oldest and best friends. She just survived a terrible incident while she was on a work assignment in Guatemala, which broke her fearless, adventurous spirit. We don’t learn exactly what happened until close to the end, but we do know that she was kidnapped and held for a while. Everyone assumes she was raped and that’s why she is so traumatized, but she insists that’s not it. The result of her trauma is that she decides to spend some time at the Shipley farm because her parents aren’t taking her waking-screaming-from-bad-dreams very well. She’s going to help with the apple-picking and try to heal.
Zach and Lark have previously met at the farm and admired each other from afar. When it turns out that Zach is the first one to hear one of Lark’s screaming dreams in the bunkhouse at the farm, he goes in to comfort her, despite his own awkwardness in doing so—and Griff Shipley’s mandate for all the men to keep their hands off Lark. This happens several times as he becomes very attuned to listening for her. Also, interestingly, she ends up sort of comforting him, because he too is broken after his upbringing and exclusion from his home. These nightly interludes happen regularly and then, not too surprisingly, turn into more, though it does take a long time. It’s quite a slow burn of a story, in general. But in a delicious way.
Being with Zach doesn’t fix Lark. It seems like only time and some more therapy can do that. And Zach has some growing and self-discovery to do, himself. It takes some time apart before they figure out a way to come together and stay that way.
Both characters are richly developed and absolutely believable, despite their difficult life experiences. The chemistry between the two of them and the love scenes are as hot and sensual as you’d expect from Bowen, with the added complexity that Zach is a virgin and they both know it. Bowen handles that very well, expertly weaving in a bit of humor with the super-sexy. There’s also more going on with the supporting characters, especially May, which deepens the book quite a bit. Still, the focus is on Zach and Lark, and it’s a wonderful comfort story.